Line drawing of a turtle balanced on a stack of books. Dark red and gray paint swipes form a circle around the image. Under the image are the words Nancy C Walker, Writing, Language, Literacy in dark red.
Menu
  • Blog
  • Author Services
Menu

Author Links

  • Amazon Author Page
  • Bluesky
  • Facebook
  • Linkedin
  • YouTube

Quotes I Like


Other Links

  • Alamy Photography
  • Dreamstime Photography
  • Instagram
  • Shutterstock Photography
  • Twitch
Yellow, green, orange, and pink sticky notes are arranged in rows on a wall. In gray letters the words Plot Grid are written on two of the notes.

How to Use a Plot Grid to Organize Your Story

Posted on February 20, 2026 by Nancy C. Walker

In my last two posts, we built a 60 Minute Plot for Ava’s mission and layered in the Story Circle to give her journey an emotional heart. You have the external action and the internal growth ready to go. Now, you need a way to manage all those moving parts without your brain exploding. This is where I use a plot grid.

When I wrote my first novel, I struggled to remember the details of every subplot and character arc by the time I hit the halfway mark. Then I learned how to use a plot grid. A plot grid is not about boxing in your imagination. It is a visual tool that breaks your novel into manageable sections so you can track plot points, character arcs, and subplots all at once.

What is a Plot Grid?

Think of it as the blueprints for the engine we have been building. You create a grid with your chapters along one axis and your story elements along the other. It allows you to see the bigger picture while you are deep in the weeds of a specific scene.

Common elements to include are:

  • Chapter Number: For easy organization.
  • Key Plot Point: What major event happens here?
  • Character Arc: How is Ava changing or reacting in this section?
  • Subplots: What are the other characters, like Ava’s sister or the rival collector, doing?
  • Conflict: What is the specific obstacle in this scene?
  • Emotional Beat: What feeling are you aiming to evoke in the reader?

The Ava Plot Grid (Chapters 1-4)

Using our mechanic Ava, here is how a plot grid keeps the story on track.

ChapterKey Plot PointCharacter Arc (Ava)Subplots (The Sister/The Rival)ConflictEmotional Beat
1Locket is stolen.Safe and isolated; feels violated but remains a loner.Sister calls to check in; Ava ignores the call.Internal: Fear of failure. External: The theft.Intrigue and empathy.
2Finding the clue.Determined but frustrated; relying on her own skills.The Rival is seen watching the shop from a distance.External: Deciphering a greasy fingerprint.Suspense.
3The Shady Informant.Forced out of her comfort zone; out of her element.Sister sends a text about their grandma; Ava feels guilt.External: Fixing an unfixable engine for info.Tension and grit.
4The Rival appears.Realizes the stakes are higher than she thought.The Rival reveals the locket is a key to a fortune.External: A confrontation in the antique district.Shock and high stakes.

Why use one?

  • Pacing Control: You can see if your plot is moving too slow. If you notice four chapters in a row are just discovery scenes, you know it is time for some action.
  • Identifying Gaps: It highlights areas where a character has disappeared for too long. If Ava’s sister has not been mentioned in five chapters, the grid will show a blank space that needs to be filled.
  • Preventing Plot Holes: By seeing the story laid out, you will spot inconsistencies. You might catch that a character knows something in Chapter 8 that they should not have discovered until Chapter 10.
  • Efficient Revisions: When it is time to edit, you have a framework. If you move a scene from Chapter 3 to Chapter 7, the grid shows you the ripple effect on the rest of the story.

How to use it effectively

Start broad. You do not need every detail immediately. Start with your 10-step map and the 8 points of your Story Circle. Then, fill in the subplots and emotional beats as they take shape.

Choose your format. I love a spreadsheet, but you can use a whiteboard, a large sheet of paper, or plotting software. Use whatever format you will actually refer to while you write.

Do not be afraid to deviate. A grid is a guide, not a dictator. If Ava takes an unexpected turn or a new plot thread emerges, adjust the grid. It is a living document meant to support your creativity, not stifle it.

Other Ways to Use a Plot Grid

A plot grid is flexible. You do not have to be a rigid planner to find value in it. Here are a few other ways to use this tool depending on your writing style:

  • The Reverse Outline: If you prefer to write without a plan, use the grid after you finish a chapter. By logging what you actually wrote, you create a map of your first draft. This makes it easy to see where you accidentally dropped a subplot or where the pacing slowed down.
  • Tracking Multiple Points of View: If your story has more than one narrator, give each character their own column. This ensures the screentime is balanced so one character does not disappear for fifty pages.
  • Seeds and Payoffs: Use a column to track where you plant clues. For Ava’s story, if she finds a mysterious key in Chapter 2, the grid ensures you do not forget to have her use it in Chapter 9.
  • Word Count Balance: Some writers add a column to track how many words they spend on each milestone. It helps you see if your middle section is becoming too bloated or if your climax is over too quickly.

Why the Grid Works

The plot grid is my favorite tool because it allows me to plan in the same way I think. It connects the 60-minute plot and the emotional soul of the Story Circle into one professional system. It is a guide, not a dictator, and it is the best way to ensure your story stays on the rails from the first page to the last.

With these three tools—the 60 Minute Plot, the Story Circle, and the Plot Grid—you have everything you need to take your idea from a blank page to a finished manuscript.

An illustration of Dan Harmon's Story Circle in black with each step writen in a different color to form a rainbow effect. Above the illustration are the words Dan Harmon, below the illustration are the words, Story Circle.

Using Dan Harmon’s Story Circle to Give Characters a Soul

Posted on February 20, 2026February 20, 2026 by Nancy C. Walker

In my last post, we used the 60-minute plot method to build a 10-step map for Ava. We know she is a mechanic on a mission to recover a stolen locket, and we have the external milestones to get her there. But a perfect plot can still be a boring book.

If things are happening but the reader does not care, it is usually because the character is just a hollow shell being dragged from scene to scene. Layering Dan Harmon’s Story Circle over the map allows you to track the internal shifts that make the external action actually mean something.

1. You: The Comfort Zone

Start where it is safe. If we do not see the before picture, the transformation at the end means nothing. The Ava Example: She is safe in her shop. She trusts tools, not people. She is comfortable being a loner.

2. Need: The Inner Longing

Your character has an internal void they need to fill, even if they do not know it yet. The Ava Example: Ava tells herself she likes being isolated, but her independence is actually a cage. She needs to learn how to rely on others.

3. Go: Stepping into the Unknown

The hero leaves their ordinary world behind. The old rules no longer apply. The Ava Example: She leaves the shop and enters the high-stakes world of black market auctions and thieves.

4. Search: Navigating the New World

They are on the hunt but they are flailing. This is where they learn that their old tricks will not work here. The Ava Example: She tries to muscle through the investigation, but she is outsmarted. Her tough girl act is a liability in this environment.

5. Find: The Perceived Prize

This is the midpoint. The hero thinks they have won, but they have not actually grown yet. The Ava Example: She sneaks into the auction and grabs the locket. She thinks the mission is over.

6. Take: The Cost of the Prize

To get what they truly need, they have to give up a piece of who they used to be. There is always a price to pay. The Ava Example: The locket is a decoy. Security swarms. To survive, Ava has to ditch her beloved motorcycle to escape. She loses her bike and her pride at the same time.

7. Return: Heading Home, Changed

The hero starts the journey back to their normal world, but they are not the same person who left. The Ava Example: Stranded and humbled, Ava finally breaks her loner rule. She calls her sister for help. She is heading home, but she is no longer going it alone.

8. Change: The Transformation Revealed

Contrast this with Step 1. If the character has not evolved, the story has no point. The Ava Example: She is back at the shop, but she is not alone. Her sister is there working with her. She is still a mechanic, but she has stopped being an island.

Why use the Story Circle?

The 60-minute plot builds the road, but Dan Harmon’s Story Circle builds the driver. By linking the external plot to an internal fear, your story feels deep without you having to overthink it. It ensures that your action scenes are actually growth scenes.

Now that we have the external map and the internal heart, the final step is making sure all the moving parts work together. In the next post, we will put everything into a Plot Grid to manage subplots and keep the pacing tight.

An hourglass with light brown sand sits on a small mound of sand of the same color. The sand is descending from the upper globe to the lower one. The words Plot your book in 60 minutes are typed in off white letters.

How I Plot a Novel in 60 Minutes

Posted on February 20, 2026February 20, 2026 by Nancy C. Walker

Staring at a blank page is the quickest way to kill a great story idea. We’ve all been there. The inspiration is bubbling, but the structure feels like a tangled mess. When I get like this, I turn to a method that allows me to plot a novel in 60 minutes.

This method is about locking down the three things every unputdownable book needs: a clear goal, a character who is actually motivated, and conflict that keeps readers up until 2:00 AM. It also keeps me from going down the rabbit hole of B-plots and backstories. Those will be addressed later.

1. Pinpoint what your character actually values

Before you can make things hard for your protagonist, you need to know what they would fight for. List 3 to 5 things they absolutely cherish or need to survive.

The Ava Example: She has her grandma’s antique locket, a prized vintage motorcycle, her reputation as the town’s best mechanic, her sister’s happiness, and her fierce independence.

2. Take one of those things away (The Catalyst)

The story truly starts the moment your character loses something from that list. This is your inciting incident. It is the fuel that forces them off the couch and into the plot.

The Twist: Someone swipes the antique locket. Suddenly, Ava has a mission.

3. Dig into the why

If your character just wants it back because they like it, the story will fizzle out by chapter four. You need at least three deep reasons why losing this item is a catastrophe.

The Stakes: For Ava, the locket is the last memory of her grandma, it hides a clue to a lost fortune, and losing it feels like breaking a sacred promise.

4. Throw literal rocks at them (External Obstacles)

These are the hurdles that make your plot feel like a movie. Brainstorm six challenges that vary in intensity to keep the tension high.

The Hurdles: A master thief rival, a high-security auction break-in, a framed crime, and her motorcycle breaking down at the exact moment she needs to escape.

5. Poke at their secret fears

This is where the internal plot happens. List 3 to 5 things that scare your character, then pick the one that makes their current mission ten times harder.

The Fear: Ava is terrified of failing her family. If she does not find that locket, she is failing her sister’s future.

6. The Growth Moment

A character who stays the same is boring. List 3 to 5 reasons they must overcome their fear to win. This is how you make the ending feel earned.

The Shift: To get the locket, Ava has to stop being a loner and trust someone else. Her sister’s life depends on her stepping up.

7. Sketch the 10-Step Map

You have the pieces, now connect them. Jot down 10 quick milestones your character needs to hit to reach the finish line.

  1. The Heartbreak: Ava finishes a long shift only to find her grandmother’s antique locket has been stolen from her locker.
  2. The First Clue: While searching the scene, she finds a greasy fingerprint and a coordinate that leads to the underground antique district.
  3. The Shady Informant: She tracks the lead to a black market dealer. He knows who has the locket but demands she fix a vintage engine in exchange for the name.
  4. The Rival Appears: Just as she gets the name of a thief named Silas, a rival collector corners her. He reveals the locket holds a key to a family fortune.
  5. The Infiltration: Ava discovers Silas is selling the locket at a private auction. She has to trade her coveralls for a gown to sneak in.
  6. The Midpoint Trap: She reaches the locket, but it is a decoy. Silas anticipated her move. Security is triggered, and Ava narrowly escapes.
  7. The Low Point: Stranded and without her bike or the locket, Ava feels she has failed her family. She is forced to call for help, breaking her loner rule.
  8. The Final Trail: With her sister’s help, they track the real locket to the private estate of Silas before he can leave the country.
  9. The Showdown: Ava confronts Silas. She uses her mechanical skills to sabotage his escape vehicle, forcing a face-to-face confrontation.
  10. The Resolution: Ava recovers the locket and realizes that her strength did not come from the item, but from the family she was trying to protect.

8. Break things on purpose (The Twists)

Go back through those 10 steps and ask: what is the worst thing that could happen here?

The Ouch Factor: She finds the thief, but it is a decoy. Or the only person who can help her demands her motorcycle as payment.

Why Should You Plot a Novel in 60 Minutes?

  • It Kills Writer Block: Most blockages happen because we do not know what happens next. When you have a 10-step map, you always have a North Star to follow.
  • Stakes That Actually Matter: By forcing yourself to list three deep reasons why a character needs their goal, you avoid the so what factor.
  • Built-in Emotional Depth: Because we link the external plot to an internal fear, your story feels deep without you having to overthink it.
  • Identify Plot Holes Early: If you cannot come up with six obstacles or ten steps, it is a sign the engine of your story needs a tune-up before you spend months writing.

Plotting a novel in 60 minutes forces you to focus on the core engine of your story. The finer details and B-plots can wait. But while this map gives Ava a destination, it does not yet give her a soul. In the next post, we will layer Dan Harmon’s Story Circle over this 10-step map to ensure Ava’s internal transformation is just as high-stakes as her external mission.

  • 1
  • 2
  • Next

Search

As a child, I could never stop reading. That early obsession grew into a lifelong creative soul and eventually led me to a BA in English Lit and Language and an MFA in Creative Writing. My time in academia sparked a deep passion for the 'how' behind the craft, and today, I’ve turned that interest into a mission to help other authors. As a writing coach, I share everything I’ve learned through my books, live streams, and one-on-one sessions to help you bring your own stories to life.

Categories

  • My Plotting Method
  • Other Stuff

Contact

PO Box 3096
Mashantucket, CT 06338
Email: Info@NancyCWalker.com
© 2026 Nancy C Walker | Powered by Minimalist Blog WordPress Theme